I Want To Be A Coppola

Kellina de Boer
EDITOR-IN-CHIEF

Dara Block
STYLE EDITOR

CONTRIBUTING EDITORS
Francesca Berti
Katie Bishop
Renee Hernandez

Coups de cœur de Coppola
Galerie de Coppola
quoi de neuf
Sofia Coppola

Apartment

Library

Beauty Products

Wedding

œuvres de Sofia Coppola

Lick the Star (1998)

The Virgin Suicides (1999)

Lost in Translation (2003)

Marie Antoinette (2006)

Somewhere (2010)

The Bling Ring (2013)

IWTB SHOP

IWTBAC Black Tee

IWTBAC White Mug

I Want To Be An Alt

I Want To Be A Battaglia

I Want To Be A Roitfeld

IWTB RECOMMENDS

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Horst: Photographer of Style
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Seven Sisters Style: The All-American Preppy Look
By Rebecca C. Tuite

 

Back in the Days
By Jamel Shabazz, Fab 5 Freddy, Ernie Paniccioli

 

Philip-Lorca diCorcia: Eleven
By Dennis Freedman, Philip-Lorca diCorcia

 

Polaroids
By Diego Uchitel

 

Suburbia
By Bill Owens

 

The Wes Anderson Collection
By Matt Zoller Seitz and Michael Chabon

mercredi
juil.272011

Sofia Coppola Meets Marc Jacobs

Our gifted editor-at-large Dara Block has a knack for shuffling through her vast fashion and photography archives and finding the most amazing treasures! Today's treat is an article from Vogue US published in February 2004, a fun interview with both Sofia Coppola and Marc Jacobs. Thank you so much for sharing your discovery, Dara, trop bon...

There is something quite fascinating, yet mysterious about the designer/muse relationship. There have been so many throughout the years of fashion... Betty Catroux and Loulou de la Falaise to Yves Saint Laurent, Isabella Blow to Alexander McQueen, Carine Roitfeld to Tom Ford... As you can see this is something that remains a constant in fashion. A muse can be just about anyone... a model, actress, or simply someone who just has a great sense of style, who acts as inspiration. Personally, I have always admired the designer/muse relationship between Marc Jacobs and Sofia Coppola. What I love most about this dynamic duo is that they both seem to understand each other on such amazing creative levels. There have been so many collaborations between the two in the past couple of years... who could forget when Sofia Coppola modeled as the face of Jacobs' signature perfume or when she was an advisor/designer for a handbag and shoe collecton for Louis Vuitton. Also, if you pay close attention to the details of Sofia Coppola's films you can definitely see a Marc Jacobs influence... just think of the style of Scarlett Johannson's character as Charlotte in Lost in Translation or Kirsten Dunst's style as Lux in The Virgin Suicides. Both characters are the epitome of the ideal Jacobs girl... very nonchalant chic mixed with an eclectic sense of style. It's obvious that both Coppola and Jacobs have inspired each other greatly in their own unique and special ways.

Just recently I was looking through my magazine archives and came across a beautiful Mario Testino photograph and a short interview between Coppola and Jacobs from the February 2004 issue of Vogue US. The magazine asked that riveting question... Where did their designer/muse relationship start? The interview was so interesting I thought it would be appropriate to share...

When did Sofia Coppola meet Marc Jacobs? When did Marc Jacobs first lay eyes on Sofia Coppola, so that both of them became fused, from a fashion standpoint, as designer and muse — or as designer and independent-filmmaker friend? And where in the world of New York was it? "We've tried to figure this out many times," says Sofia. "It was some time during the grunge era," says Marc of that historic epoch of fashion that began in 1993, when Jacobs was designing for Perry Ellis and launched his Marc Jacobs label, when he was not yet an established fashion player but was still among the New Guard — when Marc and Sofia were both very young and enjoying New York in the way that young people do. "I remember his stuff from that Perry Ellis collection, and I was just so excited," Sofia says. It was before Marc went off to Paris as artistic director of Louis Vuitton, and before Sofia began spending time in L.A., making films such as The Virgin Suicides and, most recently, Lost in Translation. She recalls an early silk dress that she loved; he recalls the credits for The Virgin Suicides, the Bic-pen scribblings that Marc loved and that so inspired his fall 2001 Marc by Marc Jacobs line. But where exactly did they meet?" "I just remember it was a group thing," Marc says. "Yes," says Sofia, a little dreamily. "It was." "I just remember a lot of roof parties," says Marc, dreamy too. "I remember the guy in the patent leather." "Yes," says Sofia. "Who was that guy?"

As you can see, the two share a long fashion history together... as collaborators, mutual admirers, and as friends. I so love that Coppola thinks of Jacobs when making a film and that Jacobs has Coppola in mind when he is putting a collection together. She truly represents his feminine ideal, which is really what a muse is for a designer. I guess you could say Sofia holds the position as Jacobs' official muse.... now, how lucky is Sofia Coppola?

Sofia Coppola and Marc Jacobs photographs © 2004 Condé Nast and courtesy of lhommerun.tumblr.com.

lundi
juil.252011

Gia Coppola Directs For Opening Ceremony

Gia Coppola, granddaughter of Francis and niece of Sofia, was clearly born with filmmaking in her genes as well. Gia recently shot a short film for Opening Ceremony titled 22 featuring the label Reyn Spooner. A parade of their hottest new Hawaiian prints streaks by to the tune of Best Coast's “When I’m With You” and Gia captures the heat of reckless adolescence beautifully among the waves of surfer chic. This pretty short stars Nick Darmstaedter, Charlie Eisner, Sam Freilich, Fabianne Therese Gstotetmayer, Nathalie Love, Jake Nordwind, and Nick Stewart. Humberto Leon and Carol Lim of Opening Ceremony were just chosen as the new creative directors for Kenzo as well, I hope that they will continue to showcase the talent of Gia Coppola as they extend their influence into other fashionable endeavors...

Opening Ceremony images © 2011 Opening Ceremony. All Rights Reserved.

samedi
juil.232011

Introducing... Vivian Morelli, Editor-At-Large

I am excited to present the newest member of the I Want To Be A Coppola editorial team — Vivian Morelli, our fabulous editor-at-large for Tokyo! Vivian will keep us current on all of the latest news from Japan about Sofia Coppola and her creations, including material typically found only in Japan; I especially look forward to reading her personal account of Milkfed. Because Vivian understands both Japanese and English and has a keen eye for all things Sofia, she is sure to bring an interesting voice to the site and I am honored to welcome her to IWTBAC! Domo arigato どうもありがとうVivian! Yōkoso ようこそ!

My name is Vivian and I'm delighted to join the team of IWTBAC as the Tokyo editor-at-large. I have been smitten with Sofia Coppola since I first saw Lost in Translation, this very movie made me fall in love with Japan, where I currently reside. I love everything about Ms. Coppola — her flawless style, her sophistication, her gorgeous cinematography, and her sense of aesthetics. I am presently living my own little Lost in Translation fantasy in Japan, soaking up the culture and writing about all the wonderful things I am experiencing here. I love cupcakes, films, bike rides, Sonic Youth, The Smiths, literature, and anything sparkly or bubbly.

Vivian Morelli photograph © 2011 Vivan Morelli. All Rights Reserved.

mercredi
juil.202011

Wedding Of Sofia Coppola And Thomas Mars: Palazzo Margherita

Francis Ford Coppola served his own wine of the same vintage as his daughter, Sofia, on the occasion of her first marriage which was set against the backdrop of his vineyard in California. Apparently he decided he needed a strong second act... This time around Signor Coppola has cast his spell on a neglected palace, recreating it as a five star resort in Bernalda, Italy, the home town of his grandfather, Agostino. The thoughtful father recently purchased the magnificent Palazzo Margherita in his ancestral homeland and restored it to splendor just in time for Sofia's marriage to Thomas Mars. The palace is the perfect setting for the highly anticipated event with hints of family, history, romance, and elegance. Our brand new editor-at-large Gala from Fashion Sophisticate and I Want To Be A Battaglia has kindly agreed to share with us the news from Italy regarding the history of the location of the wedding as well as the restoration of the palace. Grazie tante, Gala! Perfetto! Many thanks also to Francesca Berti for her excellent translation of Gala's article from Italian to English. To me this will always be the royal wedding of 2011....

Palazzo Margherita: Cenni storici e nuovi progetti
By Gala

Palazzo Margherita è una dimora storica della prima metà dell’Ottocento che occupa un lungo tratto del lato occidentale di Corso Umberto a Bernalda. Gestito dalla Sovrintendenza ai Beni Culturali, ora vede come nuovo proprietario il regista italo-americano Francis Ford Coppola, cittadino illustre di questo centro della Basilicata, ma rimane comunque vincolato al Ministero dei Beni Culturali, in quanto ospita al suo interno uno dei Giardini e Parchi storici più belli d’Italia ed, al tempo stesso, uno dei pochi e meglio conservati giardini urbani della Basilicata, come certificato dallo stesso Ministero fin dal 1960. L’impianto del giardino di Palazzo Margherita si collega direttamente con la forte personalità del suo ideatore e realizzatore, Giuseppe Margherita, vivente fino al gennaio 1992.

Quarto di cinque figli maschi, eredita dal padre (un affermato industriale e commerciante di cereali e olio, attivo in tutta Europa e originario di Taranto) la casa di famiglia a Bernalda. A differenza dei fratelli, tutti attivi nel settore del commercio e dell’industria, il giovane Margherita coltiva interessi per la musica e per il giardinaggio.

A partire dal 1925 ha inizio la trasformazione del grande orto retrostante il palazzo edificato tra il 1885 e il 1892. L’orto, la cui realizzazione può datarsi a cavallo degli ultimi due secoli, utilizzava uno spazio relativamente ampio dell’area circostante le spalle dell’edificio e si affacciava a terrazza sulla valle del Basento. La trasformazione viene fatta partire sin dall’androne d’ingresso che precede l’entrata del giardino che, insieme ad un cortile con una quinta trasparente che lascia intravedere l’ambiente verde successivo, stabiliscono il percorso principale, chiuso da una grande fontana. Qui si concentrano gli elementi architettonici (colonne e vasi), mentre il giardino vero e proprio, pur nell’attuale abbandono, prima di venire affidato alle cure di due super esperti fatti arrivare dagli Stati Uniti da Francis Ford Coppola, rivela i pochi elementi costruiti: vialetti, sedili, il recinto, il pozzo. I materiali prevalenti sono il cotto locale e la pietra calcarea della vicina Puglia. Un pergolato con pilastrini in tufo interseca perpendicolarmente la direttrice principale e ordina lo spazio verso la valle secondo un modulo geometrico ben definito, interrotto dal degradare del pendio lasciato a orto. Lo spazio del giardino è segnato dalla presenza di grandi alberature che coprono l’intera superficie, tanto da creare una penombra continua dove si adattano anche presenze esotiche. Un rigoglioso e affascinante miscuglio di essenze locali (lecci, pini marittimi) e di alberature esotiche (palme e cycas). Il proprietario era sempre ben informato sulle novità del settore: manteneva i contatti con i vivaisti di Pistoia e della Lombardia, soprattutto per quanto riguardava nuove “cultivar” di rose e piante esotiche. Quattro gigantesche palme ordinano il settore più appartato del giardino; da qui il suggerimento di introdurre le medesime piante anche nel centro urbano di Bernalda, della quale tra il 1939 e il 1943 Giuseppe Margherita fu prima Commissario, poi Podestà. Lungo lo stradone che si diparte dal centro medievale, fece mettere a dimora oltre cinquanta palme della varietà Phoenix canariensis, che ancora oggi caratterizzano la percezione dell’asse urbano di Bernalda.

Oggi l’antica dimora sta per rinascere a nuova vita come Resort 5 stelle, grazie ad un attento progetto di restauro bioecologico affidato dal regista al noto interior designer francese Jacques Grange. Non si hanno purtroppo immagini del restauro del Palazzo, di cui si conosce solo l’aspetto prima dell’intervento, ma sembra che il decoratore parigino si sia sbizzarrito nell’abbellire gli spazi di questo gioiello della cittadina jonica, utilizzando marmi di Carrara ovunque, dettagli architettonici sfarzosi, tappezzerie coloratissime, stucchi pregiati e dipinti restaurati.

Il complesso possiede otto stanze ed ognuna è stata dedicata ad un personaggio della famiglia Coppola. Il piano inferiore del Palazzo ospiterà un wine-bar dedicato alla pregiata e premiata produzione vinicola Coppola nella Napa Valley. Una piscina è stata ricavata in una zona esterna adiacente senza deturpare il vecchio giardino, sottoposto a vincolo monumentale, come tutto il Palazzo. Qui Sofia Coppola ha girato alcune scene del suo ultimo e premiato film “Somewhere”. Qui si sposerà il 27 agosto 2011, come dimostrano le pubblicazioni matrimoniali e come dimostra una recentissima delibera comunale, che permette di utilizzare le dimore storiche come “location” per celebrare matrimoni. Bernalda e l’Italia è in fermento, l’America è in fermento in attesa del fatidico giorno del “Sì” ed il New York Times parla già di Basilicata Buzz!

Per i cenni storici: “Soprintendenza per i beni ambientali e architettonici” – Potenza. testo a cura di Luigi Bubbico e Raffaele Sassano.

Palazzo Margherita: Historical notices and new projects
By Gala

Palazzo Margherita is an early 18th century historical building that occupies a long stretch on the occidental side of Corso Umberto in the town of Bernalda. The Palace has been maintained by the Superintendency of Cultural Heritage, but now, the new owner is the Italian-American film director Francis Ford Coppola, an illustrious citizen of this town in the Basilicata region. Palazzo Margherita continues to be regulated by the Ministry of Culture as it houses inside one of the most beautiful gardens and parks of contemporary Italy, one of the best preserved of the rare urban gardens of Basilicata as certified by the Ministry since 1960. The plants installed in the garden at Palazzo Margherita are directly connected to the strong personality of the man who conceived and realized it, Giuseppe Margherita, who lived until January 1992.

The fourth of five sons, he inherited from his father (a successful oil and grain merchant active throughout Europe and native to Taranto) the family home in Bernalda. Unlike his brothers that were all busy in the fields of trade and industry, the young Giuseppe Margherita cultivated his interests in music and gardening.

In 1925 began the transformation of the large vegetable garden behind the palace which was built between 1885 and 1892. The market garden, which was implemented between the last two centuries, utilized a relatively large area surrounding the rear of the building and a terrace overlooking the valley of Basento. The transformation started in the foyer that anticipates the entrance to the garden that, along with a courtyard, opens to reveal the next area of ambient green, establishing the main path, enclosed by a large fountain. Here the focus is on architectural elements (columns and vessels), while the real garden, in a state of neglect, was entrusted to the care of two American experts invited by Francis Ford Coppola, and contains the few manmade elements: paths, seats, the fence, the pit. The predominant materials are locally fired brick and limestone from the nearby Puglia region. A pergola with pillars of tufa intersects the principal line and directs the space towards the valley in a well-defined geometric shape that is interrupted by the downgrade of the slope left to the garden. The space of the garden is marked by the presence of towering trees that cover the entire surface, so as to create a continuous penumbra where exotic presences also adapt well, a florid and fascinating mixture of local woods (oak and cluster pine trees) and exotic trees (palms and cycads). The previous owner was always well informed about his sector’s novelties: he kept in touch with the gardeners and the nurseries of Pistoia and the region of Lombardia, especially attuned to the new cultivars of roses and exotic plants. Four giant palms order the more secluded area of the garden; hence started the tip to introduce the same plants also in the urban center of Bernalda, of which Giuseppe Margherita was first Commissioner and then Mayor between 1939 and 1943. Along the street that branches off from the Medieval center, he planted more than fifty varieties of Phoenix Canariensis palms which still characterize the perception of the urban axis of Bernalda.

Today the ancient residence is on the verge of rebirth as a five star resort, thanks to a scrupulous bioecological restoration project assigned to the famous French interior designer Jacques Grange. Unfortunately there are no images of the restoration of the Palazzo Margherita, we have only these photographs taken before the surgery, but it seems that the Parisian decorator has embellished the spaces of this jewel of the Ionian city, installing Carrara marble everywhere, sumptuous architectural details, colorful tapestries, fine plasterwork, and restored paintings.

The palace has eight rooms and each room has been dedicated to a member of the Coppola family. The lower floor of the Palazzo Margherita will host a wine bar stocked with the prized Coppola vintages from Napa Valley. A swimming pool has been converted into an adjacent outdoor area without defacing the existing garden, which is officially listed as a historical monument, as is the entire palace. Here Sofia Coppola shot a few scenes for her last award-winning movie Somewhere. Here she will be married to Thomas Mars on 27 August 2011, as attested by the publication of banns of marriage and as evidenced by a recent municipal resolution that permits the use of historical homes as a “location” for weddings for the first time in the town's history. Bernalda, Italy is in a frenzy, the United States is in a frenzy, anxiously awaiting the fateful day of “I Do” and The New York Times is already using the term "Basilicata Buzz" as their new, errrr, buzz word! Better reserve your bottle of Sofia today so that you can join us in toasting the happy couple in style on their special day...

Translation from Italian to English by Francesca Berti.

Reference: The Superintendence of the Environmental and Architectural Heritage, Potenza. Text by Luigi Bubbico and Raffaele Sassano.

Sofia Coppola and Thomas Mars wedding location photographs © 2010 The New York Times Company and courtesy of aptbasilicata.it, panoramio.com, urbanitaly.it, and wikipedia.com.

lundi
juil.182011

Sofia Coppola's First Wedding

According to Sofia Coppola's Twitter account (unverified), she plans to release news about her wedding dress soon! Our lovely editor-at-large in Los Angeles, Dara Block, is here to help dull the pain of waiting by reporting on the details of Sofia's first wedding in 1999 to director Spike Jonze. Thank you so much, Dara, for this intriguing look at the past while we await news of Sofia's future dress...

Next month, in August, Sofia Coppola will be marrying her longtime rocker beau Thomas Mars (lead singer of Phoenix) at her family's villa in Bernalda, Italy. The fashion buzz is that Sofia will be wearing Azzedine Alaïa on her big day. I am thinking this could be true, after all she was seen with her daughter, Romy, at the recent Azzedine Alaïa Fall 2011 couture collection. In light of her upcoming nuptials, I thought it would be appropriate to flashback to Sofia's first wedding to director Spike Jonze. Their wedding was actually featured in the September 1999 issue of Vogue US in the "Talking Fashion" section. I believe this is the only publication that actually had an opportunity to publish a sneak peek from her wedding. I know Sofia and Spike are no longer married, but I always thought they made such a cute couple.

For her wedding to Jonze in 1999, Sofia chose to wear a gown made especially for her by fashion designer John Galliano. I thought she made such a beautiful bride and I so love that sleek silhouette... the look is classic, clean, refined, but most importantly she looks totally like herself in this dress... the way a proper bride should dress on her big day!

As for the wedding itself, it actually took place at the winery of Sofia's father, Francis Ford Coppola, in Napa Valley. The bridesmaids included Gia Coppola wearing Marc Jacobs and Natalie Stone, Ann Ross, Julia Spiegal, and Jacqui de la Fontaine in dresses by Phare. Among the guests were close friends Zoe and Xan Cassavetes, Anna Sui, Ione Sky, Donovan Leitch and his supermodel wife Kirsty Hume, and of course, Sofia's fashion soulmate and favorite designer of choice, Marc Jacobs... I am sure there were many more fabulous guests, but these are just some of the people Vogue mentioned in the magazine.

Since the wedding took place at her family's winery, her father thought it would be appropriate to serve wine from 1971, the year Sofia was born and he took the time to introduce the various wines to guests at their tables throughout the evening, a special touch. Also served at the wedding: Blanc de Blancs, Sofia's very own champagne named after her.

At the time of their wedding, Sofia and Spike had recently completed their first feature films... Sofia had just wrapped The Virgin Suicides and Spike had just finished Being John Malkovich, so naturally, they would be taking a glamorous honeymoon in Bora Bora, Tahiti... far from a director's chair. Sofia and Spike's wedding was definitely so stylish in every aspect... from the dress to the ceremony, even the honeymoon. Leave it to Vogue to chronicle every little detail about Sofia's Napa Valley wedding and I am hoping they will do the same for her August wedding. I assume her marriage to Monsieur Mars will be as equally elegant. Until then, I guess we will just have to wait and see!

Sofia Coppola and Spike Jonze wedding photographs © 1999 Condé Nast. All Rights Reserved.